Voyeuristic Images Op. 10
07.24.20
Irreverence Group Music presents Voyeuristic Images Op. 10, the new piano cycle by composer Julián De La Chica, and which is part of his first film, Agatha. In this music, as in the film, De La Chica explores what is not obvious, what is uncomfortable, what creates impatience or anxiety.
Music for Walkers
06.11.20
Music for walkers is OUT today. The new single of composers Susan Campos - Fonseca and Julián De La Chica, explore the sound during the pandemic times. A improvisation session recorded at the Irreverence Group Music lab in Brooklyn, NY.
Lisa Moore - De La Chica, Preludes Op. 8
03.01.18
Described as “brilliant and searching… beautiful and impassioned… lustrous at the keyboard” by The New York Times and crowned “New York’s queen of avant-garde piano” and “visionary” by The New Yorker, the celebrated pianist Lisa Moore releases a her album DE LA CHICA: PRELUDES OP. 8 on March 1st 2018.
Präludium (Harpsichord Version)
09.07.17
Produced by Irreverence Group Music, this Special edition contains an alternative recording of the Cycle Op. 9's first song, Präludium (Aufruf), in which Soprano Rachel Hippert collaborates with Costa Rican harpsichord player María Clara Vargas Cullell.
Experimentelle und unbestimmte Lieder Op. 9
01.05.17
We live in a world where silence has been lost. We live in the constant search for social acceptance, and our universe revolves around social networks. "How can we talk about what is happening today in the world, if we do not know what is happening within us?"
De La Chica: Nocturnal & Circular Images Op. 5
12.07.15
Julián De La Chica considers himself to be an "experimenter”, not a "composer". However, he composes a micro-universe from naked atomic sound. The skin is a set of pores traversed by particles of world. The music of Mr. De La Chica explores the liminal atomic spaces between these pores and the world.
Minimal Aggression
09.18.15
NY-based, Colombian composer and pianist Julián De La Chica, and Costa Rican composer, writer and musicologist, Susan Campos-Fonseca, PhD (Casa de las Américas Prize 2012), present in the album Minimal Aggression a mutual ‘interrogation’ of minimalism, its possibilities, and its trajectory in the 21st century.