06.11.20

Music for walkers is OUT today. The new single of composers Susan Campos - Fonseca and Julián De La Chica, explore the sound during the pandemic times. A improvisation session recorded at the Irreverence Group Music lab in Brooklyn, NY.

01.10.20

IGM, presents Indigenae, the new album of the composer and musicologist, Susan Campos - Fonseca. In this work, Campos-Fonseca proposes a deconstructive exploration of the music of Costa Rican composer Marvin Camacho-Villegas and the sound cosmogonies of the Bribri-Cabecar people, working with extended techniques on the piano.

08.29.19
Live Recording

Composer Susan Campos-Fonseca joins young “transwoman” composer Eve Cordero to record Jardín de ceniza (despedida). In this recording, Campos-Fonseca together with Cordero, explores the possibilities of the "analog Noise" in an exercise of mutual listening.

02.28.19

IGM presents the album of Autómata, featuring music by composer Susan Campos - Fonseca. The whole process of creation of this album, involves a large quantity of information processes, language transformations and technological domains.

06.06.18

An elderly woman who decides to burn all of her possessions (i.e., her memories) and to start all over. A girl who is kidnapped and murdered. A cyborg or robot who is subject to sexual and domestic slavery, becomes aware of herself and then rebels through pain as her weapon for freedom.

05.28.17

Guayaquil, Ecuador, Day Zero: A man, dressed in military uniform, committed suicide by throwing himself from the tower of the city’s cathedral. Fredy Vallejos, Arsenio Cardena and I were there when he fell. The cathedral is watched by four men from the past, “fathers of the church,” brought by the colonizers.

05.23.17

On September 13, 1970, a young composer named Pauline Oliveros (1932-2016) published in The New York Times an article entitled "And Don't Call Them 'Lady' Composers", Ms. Oliveros addressed an unasked yet (tellingly so) critical question: “Why have there been no ‘great’ women composers?”

04.27.17

I assume minimalism as an asceticism. The Mexican duo ChaTo (Julio Torres and Pablo Chavarría) is characterized by choosing not to seek an extratemporal transendence in their live performances. For them, the instant is the only thing that exists: like a mandala, it is built to later be erased.

09.18.15

NY-based, Colombian composer and pianist Julián De La Chica, and Costa Rican composer, writer and musicologist, Susan Campos-Fonseca, PhD (Casa de las Américas Prize 2012), present in the album Minimal Aggression a mutual ‘interrogation’ of minimalism, its possibilities, and its trajectory in the 21st century.